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Sara Easterson-Bond Sara Easterson-Bond

Gary Snyder – March 15, 2022 Iyengar Level II

For the early birds.

Here

In the dark

(The new moon long set)

A soft grumble in the breeze

Is the sound of a jet so high

It's already long gone by

Some planet

Rising From the east shines

Through the trees

It's been years since I thought,

Why are we here?

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Sara Easterson-Bond Sara Easterson-Bond

Gary Snyder – March 14, 2022 Iyengar All Levels

From a rugged Zen Buddhist Mountain Man. Birdsong is one of the ways I tell time in the morning, in addition to changing light. If the light still feels screwed up to you, try the birds. Happy Pi day.

How to Know Birds

The place you're in

The time of year

How they move and where in the meadows, brush, forest,

rocks, reeds, are they hanging out

alone or in a group or little groups?

Size, speed, sorts of flight

Quirks. Tail flicks, wing-shakes, bobbing —

Can you see what they're eating?

Calls and songs?

Finally, if you get a chance, can you see their colors,

details of plumage — lines, dots, bars

That will tell you the details you need to come up with a name

but

You already know this bird.

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Sara Easterson-Bond Sara Easterson-Bond

Patti Smith – March 13, 2022 Fun with Chairs

In case Daylight Savings screwed up your sleep, and you are lying awake in the middle of the night, thinking about this piece might make you feel better about lying awake in the middle of the night.

AS THE NIGHT GOES BY

Let's go

Under the stars

That are beating

Under the moonlight

Stars shoot

Dusk just a whisper

Make this night

Last forever

Oh how I wonder

Where the night goes

Oh let's wonder

Where the night goes

As the night goes

By bye

By bye

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Sara Easterson-Bond Sara Easterson-Bond

Patti Smith – March 11, 2022 Iyengar Level III

Because not everyone appreciates Randy Travis and Alan Jackson. And because I hope this is still true…

PEOPLE HAVE THE POWER

I was dreaming in my dreaming

Of an aspect bright and fair

And my sleeping it was broken

But my dream it lingered near

In the form of shining valleys

Where the pure air recognized

And my senses newly opened

But I awakened to the cry

That the people have the power

To redeem the work of fools

From the meek the graces shower

It's decreed the people rule

The people have the power

The people have the power

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Sara Easterson-Bond Sara Easterson-Bond

Randy Travis and Alan Jackson – March 8th, 2022, Iyengar Level II & I

Is it country music or cowboy poetry? Or both? If it makes a difference, I found it in a poetry collection about the American West.

A BETTER CLASS OF LOSERS

I'm gettin' out of this high-rise penthouse suite,

Where we pretend life's rosy and sweet.

I'm gain' back to the folks that I used to know,

Where everyone is what they seem to be.

But these high-class friends that you like to hang around,

When they look my way, they're always lookin' down,

And I'm tired of spendin' every dime that I make

To finance this way of life I've learned to hate.

I'm goin' back to a better class of losers;

This up-town livin's really got me down.

I need friends who don't pay their bills on home

computers

And who buy their coffee beans already ground.

You think it's disgraceful that they drink three-dollar

wine,

But a better class of losers suits me fine.

You say the grass is greener on the other side,

But from where I stand I can't see grass at all.

And the concrete and the steel won’t change the way

you feel—

It takes more than caviar to have a ball.

You think it’s disgraceful that they drink three-dollar

wine,

But a better class of losers suits me fine.

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Sara Easterson-Bond Sara Easterson-Bond

Dick Barnes – March 7th, Iyengar All Levels

For a short trip through slick-rock country.

GRANITE INTRUSIVE

Where the clean wind scours the rock—

sun like a hammer, ice the other season—

there's the life, said the lichen,

that's the life for me.

I'm so glad we found this place

murmured the moss

before the tourists came.

Root of a palo blanco

in thin bark like white paper

crept down over bare rock

to annex another spoonful of soil

and murder the moss that had made it:

I like a place that's been spoiled

just enough, said the root, snuggling in.

The rock didn’t say anything at all.

Why would it?

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Sara Easterson-Bond Sara Easterson-Bond

Gary Snyder – March 6th, Fun with Chairs

After a trip to Durango, where I saw men in a diner who looked like they bucked hay all their lives.

HAY FOR THE HORSES

He had driven half the night

From far down San Joaquin

Through Mariposa, up the

Dangerous mountain roads,

And pulled in at eight a.m.

With his big truckload of hay

behind the barn.

With winch and ropes and hooks

We stacked the bales up clean r

To splintery redwood rafters

High in the dark, flecks of alfalfa

Whirling through shingle-cracks of light,

Itch of hay dust in the

sweaty shirt and shoes.

At lunchtime under Black oak

Out in the hot corral,

—The old mare nosing lunch pails,

Grasshoppers crackling in the weeds—

"I'm sixty-eight," he said,

“I first bucked hay when I was seventeen

I thought, that day I started,

Insure would hate to do this all my life

And I dammit, that's just

what I’ve gone and done."

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Sara Easterson-Bond Sara Easterson-Bond

William Shakespeare – March 4th, Iyengar III

Something pretty for my birthday.

The Sonnets #1

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory;

But thou, contracted to thine own bright eyes,

Feed’st thy light's flame with self-substantial fuel,

Making a famine where abundance lies,

Thyself thy foe, to thy sweet self too cruel.

Thou that art now the world's fresh ornament

And only herald to the gaudy spring,

Within thine own bud buriest thy content

And, tender churl, mak'st waste in niggarding.

Pity the world, or else this glutton be,

To eat the world's due, by the grave and thee.

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Sara Easterson-Bond Sara Easterson-Bond

Stevie Smith – March 3rd, Iyengar II & I

On the lighter side, sort of…

Is it Wise?

Is it wise

To hug misery

To make a song of Melancholy

To weave a garland of sighs

To abandon hope wholly?

No, it is not wise.

Is it wise

To love Mortality

To make a song of Corruptibility A chain of linked lies

To bind Mutability?

No, it is not wise.

Is it wise

To endure

To call up Old Fury

And Pain for a martyr's dowry

When Death's a prize

Easy to carry?

No, it is not wise.

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Sara Easterson-Bond Sara Easterson-Bond

W.G. Sebald – Mar 1, Iyengar II & I

In response to the “train” poem I read last week, by St. Vincent Millay. I nice alternate way of thinking.

For how hard it is

to understand the landscape

as you pass in a train

from here to there

and mutely it

watches you vanish.

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Sara Easterson-Bond Sara Easterson-Bond

W.G. Sebald – Feb 28, Iyengar All Levels

Aren’t we all looking for some kind of change/transformation through Yoga? Maybe it’s our hamstrings, or our habits, or way of interacting in the world, or with ourselves. A “fancy” pose like Supta Padangusthasana IV is a nice metaphor for transformation.

Memo

Build fire and read

the future in smoke

Carry out ash and

scatter over head

Be sure

not to look back

Attempt

the art of metamorphosis…

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Sara Easterson-Bond Sara Easterson-Bond

W.G. Sebald – Feb 27, Fun with Chairs

For a disturbing couple of days in the world (Russia and the Ukaraine). Sebald never sugar-coats things. German-born at the end of WWII, he wouldn’t. And still he invokes hope.

Day's Residue

Dialectically thrashed out campaigns

and drafts from days

pending wasted battles

Like every evening

the set task is left

undone in the sandpit

Heeding a dubious silence

I sleep at night

with my ear to the ground

Its distant sounds

spell out

the lessons of a lighter world

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Sara Easterson-Bond Sara Easterson-Bond

Edna St. Vincent Millay – Feb 25, Iyengar Level III

Found this while browsing for something else; the beauty of wandering through a library or even a single book. I was “waylaid by Beauty”. The internet, while useful, is not the same.

Assault

I had forgotten how the frogs must sound

After a year of silence, else I think

I should not so have ventured forth alone

At dusk upon this unfrequented road.

I am waylaid by Beauty.

Who will walk Between me and the crying of the frogs?

Oh, savage Beauty, suffer me to pass,

That am a timid woman, on her way

From one house to another!

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Sara Easterson-Bond Sara Easterson-Bond

Edna St. Vincent Millay – Feb 24, Iyengar Level II & I

If you have itchy feet, that are itichin’ to travel, this is for you. Inspired by Gary Capshaw who’s new home in Oklahoma City is near a railroad track. Such a beautiful sound, trains.

Travel

The railroad track is miles away,

And the day is loud with voices speaking,

Yet there isn t a train goes by all day

But I hear its whistle shrieking.

All night there isn't a train goes by,

Though the night is still for sleep and dreaming,

But I see its cinders red on the sky,

And hear its engine steaming.

My heart is warm with the friends I make,

And better friends I? I’ll not be knowing;

Yet there isn't a train I wouldn’t take,

No matter where it's going.

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Sara Easterson-Bond Sara Easterson-Bond

Kay Ryan – Feb 22, Iyengar Level II & I

It might feel daunting, starting over, as we move back into the world. Eventually it might feel stable, this strange time.

ODD BLOCKS

Every Swiss-village

calendar instructs

as to how stone

gathers the landscape

around it, how

glacier-scattered

thousand-ton

monuments to

randomness become

fixed points in

finding home.

Order is always

starting over.

And why not

also in the self,

the odd blocks,

all lost and left,

become first facts

toward which later

a little town

looks back?

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Sara Easterson-Bond Sara Easterson-Bond

Kay Ryan – Feb 21, Iyengar All Levels

I loved this. What do we lose if we “restore” the world to a Pre-Covid moment?

ALL SHALL BE RESTORED

The grains shall be collected

from the thousand shores

to which they found their way,

and the boulder restored,

and the boulder itself replaced

in the cliff, and likewise

the cliff shall rise

or subside until the plate of earth

is without fissure. Restoration

knows no half-measure. It will

not stop when the treasured and lost

bronze horse remounts the steps.

Even this horse will founder backward

to coin, cannon, and domestic pots,

which themselves shall bubble and drain

back to green veins in stone.

And every word written shall lift off

letter by letter, the backward text

read ever briefer, ever more antic

in its effort to insist that nothing

shall be lost.

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Sara Easterson-Bond Sara Easterson-Bond

Kevin Young – Feb 18th, Iyengar III

In the tradition of the Mirabai, The Song of Songs, Neruda…

SONG OF SMOKE

To watch you walk

cross the room in your black

corduroys is to see

civilization start—

the wish-

whish-whisk

of your strut is flint

striking rock—the spark

of a length of cord

rubbed till

smoke starts—you stir

me like coal

and for days smoulder.

I am no more

a Boy Scout and, besides,

could never

put you out—you

keep me on

all day like an iron, out

of habit—

you threaten, brick-

house, to burn

all this down.You leave me

only a chimney.

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Sara Easterson-Bond Sara Easterson-Bond

Kevin Young – Feb 17th, Iyengar II & I

Earthy love for Valentine’s week!

SWING

You climb the tree

of me—limbs,

knots, your name

carved right

above the heart. And every

year another ring

discovered around my middle

like a moon!

A planet distant. A redwood.

Into my crook you set

yourself a spell

and sing.

Shudder me my thousand

leaves, brushed

by billion winds.

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Sara Easterson-Bond Sara Easterson-Bond

William Shakespeare – Feb 15th, Iyengar Level I

Wouldn’t be Valentine’s week without this voice…

SONNET #76

Why is my verse so barren of new pride?

So far from variation or quick change?

Why, with the time, do I not glance aside

To new-found methods and to compounds strange?

Why write I still all one, ever the same,

And keep invention in a noted weed,

That every word doth almost tell my name,

Showing their birth, and where they did proceed?

0, know, sweet love, I always write of you,

And you and love are still my argument;

So all my best is dressing old words new,

Spending again what is already spent:

For as the sun is daily new and old,

So is my love still telling what is told.

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